Voice

Johana Arnold
dlonraanohoj@hotmail.com

Johana Arnold sings regularly as a soloist with the Folger Consort in Washington, D.C. For many years, she was a member of the Western Wind Vocal Ensemble in New York City, where she also performed with the Ensemble for Early Music, Concert Royal, and the New York Contemporary Chamber Ensemble. Ms. Arnold has sung with Western Opera and Michigan Opera Theaters and with ensembles including Philip Glass, Steve Reich, and Meredith Monk. She has concertized and sung in operas in Europe, Asia and South America.

Ms. Arnold now lives outside of Delhi, New York and enjoys a lively career combining musical theater, acting and singing with groups including Orpheus Theater, the Catskill Symphony and the Catskill Choral Society. She teaches voice at Hartwick and continues to concertize. Ms. Arnold has recorded with Nonesuch, Musical Heritage, Bard, CRI and Western Wind labels.

Ms. Arnold holds a B.M. and a M.M. from the Oberlin Conservatory.


Cynthia Donaldson
donaldsonc@hartwick.edu

A resident of Otego, Ms. Donaldson is the general music teacher at Greater Plains School, an artist-in-residence at Hartwick College, and serves as the Choir Director at the First Presbyterian Church in Oneonta. She attended the Crane School of Music for her Bachelors in Music Education and Indiana University at Bloomington for a Masters in Opera Performance where she studied with Gabriella Tucci and Nicola Rossi-Lemeni.

Ms. Donaldson has toured with Theodore Bikel in Fiddler on the Roof. Other national tours include Me and My Girl and in Ken Hill's Phantom of the Opera, where she appeared as Carlotta the Spanish Diva.

Regionally, Ms. Donaldson has appeared as Trina in the critically acclaimed Blackfriars production of Falsettos, and the Baker's Wife in Into the Woods in Rochester, and as Woman #2 in Butterfinger's Angel at Syracuse Stage with Ron Pallilo.

Ms. Donaldson has performed with Orpheus Theatre in Oneonta. Her last show was Into the Woods where she portrayed the Baker's Wife. Other roles include the Wizard of Oz where she appeared as Glinda the Good Witch, Laurie in the 1987 production of Oklahoma, Marion the Librarian in The Music Man, Mazeppa in Gyspy and Nettie Fowler in Carousel.

She has been a soloist with the Catskill Symphony Orchestra, The Catskill Choral Society and the Voices of Cooperstown.

Steven Nanni
nannisteve@gmail.com


Tenor Steven Nanni, "a world class tenor who has natural musicality, artistic instinct and vocal talent, sang the role of Nemorino in Donizetti's L'elisir D'amore beautifully" (Irish Times) ... "A particularly strong performance ... Nanni sang beautifully" (Boston Globe). "Among Steven's many talents are his natural musical instincts. He is a singer from the old school of bel canto and expressive line; a complete musical instrument and artist" --Nico Castel (Metropolitan Opera diction coach, Juilliard School professor).

Steven's engagements include over 25 leading roles in opera and oratorio such as Alfredo in Verdi's La traviata; Tito in Mozart's La clemenza di Tito; Count Almaviva in Rossini's Il barbiere di Siviglia; Ernesto in Donizetti's Don Pasquale, and Tamino in Mozart's Die Zauberflote. Oratorios include Bach's Magnificat; Mass in B Minor, and St. Matthew Passion; Haydn's Creation; Handel's Messiah; Mozart's Requiem; Mendelssohn's Elijah, and Orff's Carmina Burana. Steven has also appeared in light opera, art song and lieder recitals with piano accompaniment and full orchestral format. Appearances at Carnegie Hall, Kennedy Performing Arts Center, Florida Philharmonic, La Lirica di Venezia, Opera Company of Dublin, Ireland, Liederkranz Hall (NYC), the Juilliard School, Delaware Valley Opera, Binghamton Philharmonic and Tri-Cities Opera.

Steven attended the Conservatorio di Musica "Giuseppe Verdi" di Milano Internazionale under the direction of Guido Salvetti. Steven also attended the Accademia Nazionale di Santa Cecilia and the Music Conservatory of Westchester in White Plains, where he studied with Prima Donna Renata Scotto. Steven has also been a student and colleague of the celebrated diva Montserrat Caballe and under the baton of Placido Domingo at the Washington National Opera.

In mastering the vocal techniques of Marchesi, Lamperti and Garcia, Steven has adapted his own interpretation in translating these techniques to students of all voice types and vocal obstacles. As a singer and teacher of voice, Steven firmly believes that breathing skills, release of tension, the understanding of placement of voice, vocal exercises and scale work is mandatory in building the voice. To that end, good diction, language skills, translation and the ability to communicate should be first and foremost in a singers performance. Steven has studied and worked, for many years, with the master in diction, translation and style, Mr. Nico Castel, with whom Steven has coached a large part of the operatic and song literature. For more information on Steven Nanni, please visit his web site at www.stevennanni.com.

Mary-Anne Ross
rossm@hartwick.edu


Mary-Anne Ross, an active soloist in liturgical music, has performed as soloist with a wide array of music groups: choral, chamber and orchestral, including appearances with the Catskill and Albany Symphonies, Catskill Chamber Players and Capitol Chamber Artists. Her recitals of songs and arias have been featured in concerts throughout the northeast, including the Cooperstown Concert Series.

She has presented works by Virgil Thomson, Michael Tippett, George Walker, John Cage, Tom Johnson and Yehudi Wyner in the presence of or in collaboration with the composers. A Juilliard graduate, her voice teachers include Josephine Antoine, Belle Soudant, Alice Howland, Helen Boatright and Cynthia Hoffmann.

She is known for presenting concerts of sacred music of varying periods and genres, and is especially fond of the American Moravian composers and the works of J.S. Bach, receiving a highly favorable review of Kantate 51 from Will Crutchfield in the N.Y. Times. In 2004, she formed a trio, “Serendipity,” with two talented teenagers, presenting vocal chamber music accompanied by flute and harp.

A member of the National Association of Teachers of Singing (NATS) and the American Guild of Musical Artists (AGMA) she is a member of the voice faculty at Hartwick College and the Hartwick Summer Music Festival. Ms. Ross holds a M.S. from The Juilliard School.

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