NEH Visiting Professor Teaches Surveillance, Encourages Creativity

From mock newspapers and Instagram ads to media literacy and L’il Nas X, students in Vuslat D. Katsanis’ “Monitor Culture: Screens, Surveillance, Speed” course applied their lessons in some very creative ways.

“When was the last time you knew you were being watched?” asked Saniah Reeves ’26, as she introduced her final project, a board game called Welcome to the Watch, which pits players against data leaks, targeted ads and AI images. “Surveillance isn’t always visible – it hides in convenience.”

But there’s a twist: no matter what choices the player makes, they can’t win the game. “It’s about being aware and resisting where needed,” she said. “Media literacy is a survival skill. Games can teach us what lectures can’t.”

Katsanis, a National Endowment for the Humanities (NEH) visiting associate professor, specializes in comparative literature, film and visual culture, with a particular focus on Turkish and global migrant cultural productions, and critical theory. She is also the co-founding director of publications and curator of contemporary art at the Zurich-based art and research initiative, MinEastry of Postcollapse Art and Culture (MPAC), an assistant editor of poetry at Asymptote and the co-editor of A Socially Just Classroom: Transdisciplinary Approaches to Teaching Writing Across the Humanities (Vernon Press, 2022).

Vuslat Katsanis

"Many years ago, I had the occasion to visit your campus and meet the faculty of the Literature, Media and Writing department. My impression of Hartwick was so strong that I never stopped thinking about this place. The spring term NEH position allowed me to come back and contribute to the department's offerings in the area of media studies."

Vuslat D. Katsanis

National Endowment for the Humanities Visiting Associate Professor

Given her interest in visual culture, creating a co-curricular English and political science class based on technological surveillance was a natural fit. “Everything is mediated through screens and avatars,” Katsanis said. “As I was putting together this course, I thought about how so much of our students’ lives during the pandemic were only on screen. It made the material we were studying that much more real.”

Students explored a wide range of topics in their final projects, including:

  • “The Psychological Effects of Social Media and Domestic Violence,” Hanna Goodreau ’25
  • “Performing Our Own Surveillance: The Illusion of Control in the Digital Age,” Melissa Guelgoer ’26
  • “Global Surveillance and Its Correlation with Crime Prevention,” Ethan Kendall-Price ’27
  • “Songs and Subliminals: How Music Artists Communicate Their Messages,” Kezia Namakula ’25
  • “The Simplicity of Spreading False News,” Paige Witherbee ’26

“Surveillance isn’t being done to us,” said Guelgoer during her presentation. “It’s something we take part in when we voluntarily share information on our social media, fitness apps and smart devices – they promise safety and convenience but we don’t know what is being done to our data or who it’s being sold to. It’s very scary.”

Guelgoer also presented a script in the style of mockumentary host Philomena Cunk.

My goal was to show how humor can make complex ideas easier to understand,” she said. “Sometimes, making people laugh is the best way to get them to think about things we usually might overlook.”

Some projects took a heartfelt approach, like Namakula’s remix of L’il Nas X’s “(Montero) Call Me By Your Name,” incorporating quotes from President Barack Obama. Others highlighted the grimmer realities of technology. Goodreau, for instance, explored how the curated nature of social media can hinder people from seeking help for mental health issues or domestic violence. Kendall-Price’s research showed how surveillance technologies, such as facial recognition systems, often disproportionately target Black individuals.

Katsanis praised her students’ willingness to approach difficult subjects with a researcher’s eye.

“Students are experiencing technology, but also critical of it. They were so brilliant and so creative. They were able to play and explore their own interests and experiences but still do the research and translate scholarly discourses around media and technology into their projects. I love seeing that from students.”

Vuslat D. Katsanis

National Endowment for the Humanities Visiting Associate Professor

And for many students, the lessons will resonate long after the semester ends.

“I’ll be able to relate what I learned in this course to everything in my life,” said Reeves ’26. “Technology mediates every aspect of our lives. These things are present, real and happening, and knowing how to examine them had such an impact on me.”

May 13, 2025
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